However, H-Comp features one additional knob labeled Punch, and it’s not hard to guess what it does. The Threshold, Ratio, Attack, Release, Mix, and Output controls are self-explanatory, so there’s no need to cover them in detail. The other control paramaters are exactly what you’d expect to find in a typical compressor. The interface lets you choose between four analog saturation modes, but you can also switch this feature off if you prefer a fully transparent sound. It works great on vocals and bass, thanks to the subtle analog saturation that helps these elements stand out in a busy mix. H-Comp is quick and easy to use, so I often use it as the first insert on individual tracks. I currently use it alongside DC1A and TDR Molotok, as this compressor trio covers all of my dynamic range compression needs. I used H-Comp extensively after getting it for free in 2018 and it quickly became one of my go-to compressor plugins. H-Comp is a hybrid compressor that emulates the non-linear behavior of various analog components like tubes, transformers, and transistors. Waves Audio and Wildcrow offer the H-Comp compressor plugin as a FREE download for a limited time.
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